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	<title>moreaboutmusic</title>
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	<description>small talk on performance practice</description>
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		<title>moreaboutmusic</title>
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		<item>
		<title>Appoggiatura&#8217;s (2): Beethoven Sonata&#8217;s (1)</title>
		<link>http://moreaboutmusic.wordpress.com/2011/03/24/appoggiaturas-2-beethoven-sonatas-1/</link>
		<comments>http://moreaboutmusic.wordpress.com/2011/03/24/appoggiaturas-2-beethoven-sonatas-1/#comments</comments>
		<pubDate>Thu, 24 Mar 2011 08:01:17 +0000</pubDate>
		<dc:creator>moreaboutmusic</dc:creator>
				<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Ornamentation]]></category>
		<category><![CDATA[Appoggiatura]]></category>
		<category><![CDATA[clavichord]]></category>
		<category><![CDATA[Leopold Mozart]]></category>
		<category><![CDATA[Ludwig van Beethoven]]></category>
		<category><![CDATA[vorschlag]]></category>
		<category><![CDATA[Wim Winters]]></category>

		<guid isPermaLink="false">http://moreaboutmusic.wordpress.com/?p=104</guid>
		<description><![CDATA[The Vorschlag in Beethoven&#8217;s Sonata&#8217;s Part 1: The Vorschläge written as symbol&#8217;s (smaller notes) Prior to this blog I wrote a quasi introductory article, a sort of thesis, in which the problem in general is raised. Would you like to &#8230; <a href="http://moreaboutmusic.wordpress.com/2011/03/24/appoggiaturas-2-beethoven-sonatas-1/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moreaboutmusic.wordpress.com&amp;blog=20454551&amp;post=104&amp;subd=moreaboutmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">fragment 1</media:title>
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			<media:title type="html">fragment 2</media:title>
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			<media:title type="html">fragment 3</media:title>
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			<media:title type="html">fragment 4</media:title>
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			<media:title type="html">fragment 11</media:title>
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			<media:title type="html">fragment 7</media:title>
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			<media:title type="html">fragment 8</media:title>
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			<media:title type="html">fragment 9</media:title>
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			<media:title type="html">fragment 10</media:title>
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			<media:title type="html">fragment 12</media:title>
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			<media:title type="html">fragment 13</media:title>
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			<media:title type="html">fragment 5</media:title>
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			<media:title type="html">fragment 6</media:title>
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		<title>Appogiatura: k&#8217; Zàamtatatàm or Pàtatatatàm?</title>
		<link>http://moreaboutmusic.wordpress.com/2011/03/09/appogiatura-k-zaamtatatam-or-patatatatam/</link>
		<comments>http://moreaboutmusic.wordpress.com/2011/03/09/appogiatura-k-zaamtatatam-or-patatatatam/#comments</comments>
		<pubDate>Wed, 09 Mar 2011 17:04:09 +0000</pubDate>
		<dc:creator>moreaboutmusic</dc:creator>
				<category><![CDATA[Ornamentation]]></category>
		<category><![CDATA[Appoggiatura]]></category>
		<category><![CDATA[C.PH.E.Bach]]></category>
		<category><![CDATA[clavichord]]></category>
		<category><![CDATA[clavierschule]]></category>
		<category><![CDATA[Gottlob Türk]]></category>
		<category><![CDATA[Leopold Mozart]]></category>
		<category><![CDATA[Ludwig van Beethoven]]></category>
		<category><![CDATA[vorschlag]]></category>
		<category><![CDATA[Wim Winters]]></category>

		<guid isPermaLink="false">http://moreaboutmusic.wordpress.com/?p=54</guid>
		<description><![CDATA[Appoggiatura&#8217;s, short or long: an insolvable problem? Anyone who listens today to music from the second half of the 18th century, knows undoubtetly what I mean: the appoggiatura (Vorschlag) being played very short and before the beat: &#8220;k zàamtatatam. Type &#8230; <a href="http://moreaboutmusic.wordpress.com/2011/03/09/appogiatura-k-zaamtatatam-or-patatatatam/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moreaboutmusic.wordpress.com&amp;blog=20454551&amp;post=54&amp;subd=moreaboutmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">moreaboutmusic</media:title>
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			<media:title type="html">Turkisch March NMA</media:title>
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			<media:title type="html">Turkisch March Breitkopf-Brahms</media:title>
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		<media:content url="http://moreaboutmusic.files.wordpress.com/2011/03/mozart-sonata-bes-kv-333-nma.png" medium="image">
			<media:title type="html">Mozart sonata BES KV 333 NMA</media:title>
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		<media:content url="http://moreaboutmusic.files.wordpress.com/2011/03/mozart-sonata-a-moll-kv-310-nma.png" medium="image">
			<media:title type="html">Mozart sonata a-moll KV 310 NMA</media:title>
		</media:content>

		<media:content url="http://moreaboutmusic.files.wordpress.com/2011/03/tc3bcrk-clavierschule.png" medium="image">
			<media:title type="html">Türk Clavierschule</media:title>
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		<item>
		<title>Schindler on Beethoven and Liszt. Contextual proof.</title>
		<link>http://moreaboutmusic.wordpress.com/2011/02/28/schindler-on-beethoven-and-liszt-contextual-proof/</link>
		<comments>http://moreaboutmusic.wordpress.com/2011/02/28/schindler-on-beethoven-and-liszt-contextual-proof/#comments</comments>
		<pubDate>Mon, 28 Feb 2011 08:21:37 +0000</pubDate>
		<dc:creator>moreaboutmusic</dc:creator>
				<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Tempo]]></category>
		<category><![CDATA[Anton Schindler]]></category>
		<category><![CDATA[Franz Liszt]]></category>
		<category><![CDATA[Ignaz Moscheles]]></category>
		<category><![CDATA[Ludwig van Beethoven]]></category>
		<category><![CDATA[tempo]]></category>
		<category><![CDATA[Wim Winters]]></category>

		<guid isPermaLink="false">http://moreaboutmusic.wordpress.com/?p=19</guid>
		<description><![CDATA[&#8220;Much has already been done in France by Franz Liszt, who so thoroughly comprehends the spirit of Beethoven.&#8221; Anton Schindler (&#8220;The life of Beethoven&#8221;, ed. Mocheles 1841) Anton Schindler: a reliable source? In many comments on Beethoven, the name of &#8230; <a href="http://moreaboutmusic.wordpress.com/2011/02/28/schindler-on-beethoven-and-liszt-contextual-proof/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moreaboutmusic.wordpress.com&amp;blog=20454551&amp;post=19&amp;subd=moreaboutmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">moreaboutmusic</media:title>
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			<media:title type="html">schindler kaft</media:title>
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		<item>
		<title>Introduction to this blog</title>
		<link>http://moreaboutmusic.wordpress.com/2011/02/24/introduction/</link>
		<comments>http://moreaboutmusic.wordpress.com/2011/02/24/introduction/#comments</comments>
		<pubDate>Thu, 24 Feb 2011 12:11:15 +0000</pubDate>
		<dc:creator>moreaboutmusic</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://moreaboutmusic.wordpress.com/?p=1</guid>
		<description><![CDATA[This blog will be a non-scientific, non-academic, and a non-coherent collection of thoughts, mostly about personal musical-technical reflections on performance practice. I will write in Euro-English&#8230; However, I could write in Dutch, my mother language, fluently, better and much more &#8230; <a href="http://moreaboutmusic.wordpress.com/2011/02/24/introduction/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=moreaboutmusic.wordpress.com&amp;blog=20454551&amp;post=1&amp;subd=moreaboutmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">clavichord_complete</media:title>
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